After years busting myths, Kari Byron is digging into what exactly makes our world tick. The MythBusters alum heads off on an international exploration into the things that bind us together and make us unique in Science Channel’s new show, Crash Test World, premiering with back-to-back episodes on Friday, Jan 8.
Escapade Media, secures US premier on Discovery Science Channel on January 8 at 12 and 12:30 p.m. eastern standard time for its newest 6 X 30’HD family-friendly TV series, Crash Test World, to Discovery for the US and Canada. Crash Test World was produced by Andrew Zimmern’s Intuitive Content and created, and executive produced by Jenny Buccos, the founder of ProjectExplorer ProjectExplorer, the pioneer of online, global educational video programs.
Sydney-based distributor Escapade Media has teamed up with Sallyanne Ryan Archer’s Maiden and Rodrigo Vidal Dawson, co-founder and EP at local prodco Blackfisch Sydney to secure the option for novelist Frances Whiting’s book The Best Kind Of Beautiful.
Australian distributor Escapade Media has secured worldwide rights to a documentary profiling Portuguese big-wave surfer Joana Andrade. Big vs Small focuses on surfer Joana Andrade Minna Dufton’s Helsinki-based Raggari Films produced and directed Big vs Small (1×60’/75’), supported by the Finnish Embassy in Lisbon and the city of Heinola in Finland.
A new voice has emerged in Australian fiction with one of the most highly anticipated books of the year. Sophie Hardcastle’s Below Deck is a tender, poetic, almost hypnotic coming of age story. Reading Hardcastle’s prose feels like going on a spacewalk – a curious weightlessness combined with acute sensation, filled with distortions of light and sound. It’s unique and exhilarating. Read it and you’ll see I mean.
“I scream not in the way the damsel in distress screams from the tower. I scream the way tectonic plates tear apart on the ocean floor, silt and sand and cracked rock. Lava spewing from the abyss. Hot lava spewing from me. I roar.”
Sophie Hardcastle’s Below Deck is the kind of book that cracks open your heart, then knits it back together, leaving you scarred. It sears a place in your memory, not only because of its characters and the legacy of trauma experienced by its protagonist, but because of Hardcastle’s luminous prose and quite brilliant implementation of colour. The savagery of its subject belies the beauty of its writing. It’s a powerful, unforgettable synthesis; a painfully page-turning read, a vividly three-dimensional, lacerating dissection of female abuse at the hands of men.
Sophie Hardcastle’s debut novel has attracted significant attention, with international rights already taken up and celebrated by Allen & Unwin UK, the same publishers releasing it here in Australia. The novel has also been endorsed by several significant figures, including Brooke Davis, Clementine Ford and Bri Lee. Attention like this, while nice to see growing around a new Australian author, always makes me a little nervous when the work in question is dealing with sensitive and intricate topics. Hardcastle’s debut is nuanced in its approach to questions of sexual abuse and trauma, but these things still risk sensationalism in both media and social discourse. They are also themes with high stakes for any living with the reality of sexual violence.